New Multiply Logo: M is for Marketplace

Posted: Tuesday, March 26, 2013 View Comments

Multiply.com was once the Philippines' ubiquitous social media site during its heyday, but it has now rebranded itself as a local marketplace for its biggest users – The Philippines and Indonesia.

Multiply started in 2003 as a small social networking service geared for personal sharing and connection to family and friends. It didn’t click well in the US (unlike MySpace at that time) but it surprisingly got popular in Southeast Asia, including the Philippines, which accounts for the 39% of the site’s traffic. It’s got so big that even ABS-CBN invested $5 million for a multi-year ad deal.

But in the world of the World Wide Web, or at least the business of social networking sites, nothing is permanent. Just as Friendster rebranded itself as a social gaming portal and MySpace as a music and peer discovery tool, Multiply was put into a spot where its users dictated the evolution and eventual future of the site as a social marketplace.

The old logo had 5 people icons (beating MySpace by 2 heads) showing that it’s a site with lots of people and connections to be made. The old typeface already seemed to have made a brand of itself without the gradient heads but killing the ‘social sharing’ feature of the website made these ‘head connections’ a little less relevant.

The new logo introduces a new iconic stylized M which looks like a shopping banig bag. The tiled colorful weave patterns wrapping the letter M has a similar look used by our tourism campaign maybe conveying a fun, colorful and diverse - thriving marketplace.

The old typeface was also retained with subtle changes on the thickness and flow. I like the new type just because I had no problem with the original one. Besides, it was already a familiar (using it loosely) type mark locally for such a common word. Would be a waste to radically change it just for the sake of changing.

I personally liked the old Multiply before since it made selling easier thru social connections. I‘m not selling there anymore so I wouldn’t know but from the looks of early feedbacks, actual and current sellers aren’t digging the new website and ecommerce implementation.

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Addendum:

Just sharing the concept made by Plus63 Design Co. c/o Dan Matutina on his Facebook account. Their concept was centered on an X logo mark which actually makes sense for Multiply. Thanks for sharing this Dan!

image

Without the blue lines of course :)

 

X Marks The Shop - The marque is a combination of different visuals that represent a unique buying experience. Multiply is a treasure trove of great finds, products and items. It’s also a great place for merchants to “multiply” their earnings.

Adobo Design Awards 2013

Posted: Friday, March 8, 2013 View Comments

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The adobo Design Awards celebrates the work of talented individuals from different organizations both professional and educational. The contest serves as an avenue for aspiring creative individuals, designers and artists to showcase their work and be recognized by top executives in the advertising and design industry.

Key Dates

Deadline for Submission: April 3, 2013 (Wednesday)
Judging Dates: April 16-17, 2013 (Tuesday-Wednesday)
Awarding Ceremonies: April 26, 2013 (Friday)

Who Should Join?

Graphic artists, Layout artists, Digital artists, Typographer, Production Designers, Packaging Designers, T-shirt Designers, Animators, Videographers, Film/Video Directors, Film/Video Cinematographers, Illustrators, Applied Graphic Artists, Freelance Artists, Student Artists, Designers and Artists in general.

Contest Investment

Students           Php 500 per entry
Freelancers      Php 1,200 per entry
Professionals    Php 1,200 per entry

For the mechanics, list of Jury and other details, please visit: adobodesignawards.com and for further inquiries, email designawards@adobomagazine.com or call (02)845.0218 or 0906.359.9167.

Read the official press release on the next page

Interaction Design for a Connected World

Posted: Tuesday, January 15, 2013 View Comments

Connecting is an 18-minute documentary by Bassett & Partners exploring the future of Interaction Design on our devices and the world of tomorrow.

Ultimately, when the digital and physical worlds become one, humans along with technology are potentially on the path to becoming a "super organism" capable of influencing and enabling a broad spectrum of new behaviors in the world.

Skeuomorphism, contextual information, social synergy. Despite the abundance of buzzwords on this video - there’s no denying that Natural User Interfaces is the future (and was, even before the iPhone touch-screen devices started it)

Graphika Manila and Visual Design Conference happens on February 9

Posted: Monday, January 7, 2013 View Comments

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Graphika Manila 2013 is now being held this February instead of the usual last quarter of the year to address concerns on weather, speakers availability and student schedule. The conference this year will now be held at the PICC Plenary hall instead on SMX halls.

Speakers this year: Benjamin Seide from Pixomondo, Jessica Walsh, Armand Serrano from Sony Pictures Animation, Benja Harney, James White from Signalnoise, Ryan Honey from Buck, Koto and Shin from Devil Robots.

Ticket prices are: ₱1,750 (early bird) ₱1,950 (regular) ₱1,550 (students)

graphikamanila.com

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Visual Design also goes down on February 9th for our Southern friends. Venue will be on SM Cinema 2, SM City Cebu.

Speakers this year: Alduane Mano, Charles Buenconsejo, Dan Matutina, Dan Frasco, Dwyn Traza, Gem Ronn Cadiz, and Harvey Tolibao.

Ticket prizes are: ₱400 (early bird) ₱500 (regular) ₱450 (students early bird) ₱450 (students regular)

visualdesign.ph

Shakey’s New Logo: Ye Olde Pizza Parlor Tries Retro

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Shakey’s has been operating in the Philippines for so long that you’d mistakenly think they are a home-grown franchise. They actually started in the Sacramento California in 1954 and was known for their pizza, beer and jazz mix offerings.

Shakey’s began to expand outside the United States with the opening of a restaurant in Winnipeg, Manitoba, Canada on February 15, 1968. Expansion then went south with the opening of Mexico City restaurant on May 7, 1968. The first Japanese restaurant opened in Osaka, Japan on July 26, 1976. Expansion continued with a restaurant in Makati, Philippines in 1975.

Shakey’s branches in the Philippines at one point outnumbered even those in the USA. It’s like saying Jollibee has more branches in the USA than the Philippines. A big feat and shows that Filipinos really love eating American food ever since (even Wonder Woman came to eat here)

This new logo was adopted by Shakey’s USA first and is just presently being rolled into new Shakey’s branches in the country (saw a new branch being constructed along Shaw-Sta.Mesa route). The old Shakey’s western typeface and the red hat-like border are one of those things that you could just glance and instantly recognize. It didn’t look too-polished but the brand suited its ‘good-old’ pizza parlor feel.

The new logo removes any traces of the old one and introduces a slabby typeface that actually looks like it’s shaking. The ‘Established in 1954’ badge is somewhat an opposite from the typeface it represents below. It now actually looks like the old Popeyes Chicken logo at first glance.

The iconic red backdrop and the hat-like border was changed to a black and yellow oblong-shaped container. While dropping the tested shapes was risky, The circular shape and dark colors might also work and is also reminiscent of retro jukebox and neon stylings from the 70’s.

I also don’t think the thin strokes used throughout the logo especially the Shakey’s word works best. They could have filled up the gaps between S, K, A and E with solid white instead of leaving small seeping black lines showing what’s underneath.

Looks good but it could have been better I guess. That’s my take, what’s yours? What do you think of Shakey’s new logo?

Facebook Redesign Prototype

Posted: Friday, January 4, 2013 View Comments

What do you think about this Facebook prototype design made by Australian art director and designer Fred Nerby? I think the use of grids and large visual tiles looks good. Facebook’s usual high-density content stream might take a back seat over clean white/empty space – which may not be a bad thing.

[via] Behance